It's got a real summer vibe to it and that 80s flavour is back again, which is no bad thing. With a title like that there are no prizes for guessing what the lyrics are about and, sure enough, we're back onto the rapper's favourite subject, but this track featuring Ghost Loft features one of the catchiest hooks on the record and it's another of the LPs standout moments. 'The Sleaze' contains one of our favourite moments on the album owing largely to it's huge, filthy Moog-like bassline that seeps in right from the beginning, but it also has some his best lyrics on the album and another big, melodic hook that threatens to embed itself deep in your psyche for days to come.
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The perfect pre-clubbing track for Wiz Khalifa's legions of fans. It's like the trap equivalent of Sir Mixalot's 'Baby's Got Back', only with more weed references.Īnother of the album's highlights, 'Raw' is exactly that – it's a sparse track led by spooky synth line and some very minimalist beats, but turn it up loud and sounds heavy as hell, despite it's spacious arrangement.Īnother of the album's more melodic moments, this is Wiz celebrating the night life and it's held together by a huge, lush chorus with some pounding drums, swelling synth pads and a heavy bassline, all backing up his vocals about getting wasted (“I'mma drink so much I can't make it home”). “If you got an ass like the girls in the video, bring it my way” sings Wiz over a thudding bass drum and some chopped up sampled vocals. Wiz seems to produce some of his best tracks when collaborating with others and his partnership with Curren$y here is another good example.
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There's a bit of an 80s vibe about this track with Curren$y, Wiz Khalifa's long-time collaborator, and 'House in the Hills' is one of the album's highlights with it's big piano stabs, slow groove and melodic hook. It's chilled, it's heavy and it's one of our favourites on the album. This time it's ALL about weed - his own favourite brand in fact - but it's underpinned by a gorgeous, spooky string sample and a minimalist arrangement that just screams 'this is music to smoke to'. Wiz is in romantic mood here, but still manages to drop in a reference to smoking weed in his second verse rap. It's big, it's brash and it continues pretty much where 'Hope' left off.Ī bit of a shift of gear here with a slow and surprisingly melodic number with a big pop chorus and, of all things, it sounds like he's singing about love. One of the singles already released from the album, the track leads in with staccato strings and some heavily auto-tuned vocals with Wiz rapping about money-grabbing girls and show-off guys hanging around in clubs.
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We're a few second in and already we're onto some of the rapper's favourite subjects, champagne and girls. Right from the beginning, this expansive intro track gives a signal of the kind of sound we can expect from the record, kicking off with a monologue about making decisions in life over distant piano chords and dreamy, wah pedal-drenched guitar licks, before the whole thing gives way to a twinkling synth riff over a a deep, grinding bassline and slow, trap-style drumbeats. So what can we expect this time around? Is he still preoccupied with lyrics about champagne and weed? Judging from that cover artwork with his face obscured behind a thick cloud of smoke, we're going to guess that he is. Next week he returns with his fifth studio album, Blacc Hollywood. That's thanks in part to his Billboard Chart-topping singe 'Black and Yellow', named after the colours of his home NFL team the Pittsburgh Steelers, but ever since he's been churning out slick, R&B-influenced rap and earned himself a loyal following, with more than 15 million Twitter followers and a string of hits to his name. That first LP showed plenty of promise and helped the rapper & singer-songwriter build a reputation on the underground scene, but by the time of his third album R olling Papers Wiz Khalifa had gone from promising underground artist to full-blown, gold-selling rap star.
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Wiz Khalifa has come a long way since his 2006 debut, Show and Prove.